Along with Steve Haworth, Ron Garza stands out as one of the most influential artists who’s work contributed to the popularization of aesthetic scarification in the post 1990s body modification scene; with a style informed by time spent piercing at tattoo shops (as well as innate artistic talent) Ron was able to bridge the gap between basic geometric shape cuttings/branding and larger, more intricate representational designs.
Ron was photographed by his friend and TSD collaborator Allen Falkner in Philadelphia at the first Scar Wars event back in May of 2005.
It’s been thirteen years since we held the first Scarwars event in Philadelphia. Over the years, both on the (now defunct) Scarwars blog and here on Sacred we’ve posted tons of pics from the event(s) and there are still hundreds that have never gone online. Like this photo by SW1 photographer Allen Falkner of Dave Gillstrap working on a cutting with removal.
The design is a mashup of an anatomical heart and a set of brass knuckles; Dave contributed t-shirt designs for the first two events- one featuring an anatomical heart, the other brass knuckles.
Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading →
A few weeks ago, some twelve years after it’s launch, I nuked the Scarwars.net blog. It was a long time coming but pulling the plug was strangely anti-climactic. Still, in the decade it was online the site hosted some damn fine content, so from time to time we’ll be featuring highlights here on Sacred Debris.
These photos (by Allen Falkner) date back to May of 2005 and feature Tom’s jaw-dropping full torso scarification by Dave Gillstrap. It remains one of my favorite large-scale cuttings.
After all was said and done on the last night of the 2006 Los Angeles Scarwars event, we decided to have a little afterparty. Nothing fancy, just a group of us gathered in a bar/restaurant doing our best to process the previous three days and to relax and unwind…
Pat Tidwell came and sat down at my table and did a perfect “Run for it, Marty!” Doc Brown impersonation from Back to the Future, complete with rewind noises and a crazy pantomime that had everyone breaking down in much needed laughter.
He did it for about 15 minutes straight. One of the thousands of reasons I love Tid.
Another SCARTIST portrait by Scarwars 2005 event photographer Allen Falkner, this time featuring influential piercer/scarification artist Dave Gillstrap getting ready to start a cutting. I didn’t meet Dave until the morning of the first day of the 2005 event but his work definitely proceeded him and he went on to do some of the most impressive pieces that came out of the Scarwars events.
I’ve spent the last few days sorting Allen Falkner’s photographs from the 2005 Scarwars Philadelphia event; it’s the first time in eleven years that I’ve looked at his output from that weekend as a body of work and not just individual photos- three discs so far- discs filled with so many amazing memories, images and personalities that it’s been hard to step away from the archival and prepare any of the images for a Sacred Debris update. Continue reading →
A mondo film (from the Italian word for “world”) is an exploitation documentary film, sometimes resembling a pseudo-documentary and usually depicting sensational topics, scenes, or situations.
On Saturday, August 2nd I’m going to be having a small birthday party at the Overground Cinema in Philadelphia where we’ll be screening some classic Body Modification films. I’m still finalizing the roster, which will include a mix of professional documentaries like Dances Sacred and Profane and the Marionette alongside some of the classic homemade footage you’ve seen on Sacred Debris.
We’ll be screening them on a full sized movie theater screen. And there will be popcorn. What more can you ask for! As a thank you, anyone who’s contributed to Sacred Debris in any way- through our donate button, with providing media players or content, etc is invited to come and join the fun. Just contact me for information!
Oh. I forgot. Month to date (July) we’ve had almost 7000 viewers here on the blog. It would seem that there’s people enjoying the content we publish- and if everyone who enjoyed an article donated $1 we could easily buy the hardware we need to add new (old) content. So. If you’re feeling generous- please hit the donate button on the right. Consider it a birthday present. Feeling appreciated for what we do goes a long way to keeping the site online.
In April of 2010 I found myself on a Southwest Airlines flight heading back to Philadelphia, hunched over my macbook and quickly editing this video from the Dallas Suscon for my then partner’s ‘Body Art and Modification’ class at SUNY Purchase. The class, taught by Doctor William Peace, explored historical and contemporary body modification practices and their place in society and culture. We shot the film on two starter level HD video cameras (and an iphone) and I edited it quickly in iMovie. Not exactly the best job, but… it earned her an A.
I’ve recut the film to remove the opening/closing titles which were class specific and to increase the resolution to 1080. The songs were put in to mute out some of the background dialogue.
Allen is currently working hard on what may be the last (in it’s present format) Dallas Suscon; for more information in this year’s event, which includes a performance by Fakir Musafar and CoRE, check out Suspension.org.
When the Body Modification world was much smaller and more spread out, devotees were rarely able to meet in person. Travel was usually prohibitively expensive, particularly international destinations. People kept in touch with letters, audio and video tapes and the occasional and often times incredibly expensive long distance phone call.
Before ever meeting in person, Sailor Sid Diller and Alan (Mr. Sebastian) Oversby knew each other quite well thanks to exchanging letters and audio cassettes. Sid’s UK trip would help bridge the International gap in the Body Piercing/Tattoo community-and he’d leave with a few souvenir tattoos from Sebastian.